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The gallery served as a model for the famous Hall of Mirrors of the Palace of Versailles.
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From 1848 to 1850, the gallery was restored by the architect Duban who commissioned Delacroix to the central composition, and Müller’s and Guichard’s two compositions. Lagrenée, Callet and Renou completed the decoration with canvases which were their pieces of reception at the Academy. During the second half of the 18th century, when the Academy of Painting occupied the gallery, the painters Taraval, Durameau, J. At the request of Louis XIV, in 1663 Charles Le Brun painted the race of the sun (Apollo, the Roman god of the sun) through time and space. The Jay-Z and Beyoncé Louvre video starts with shots of the Galerie d’Apollon‘s ceiling. Still from APES**T, Eugène Delacroix, Apollo Victorious over the Python, 1850-51, Louvre, The Carters, 2018, Youtube. Galerie d’Apollon Still from APES**T, Eugène Delacroix, Apollo Victorious over the Python, 1850-51, Louvre, The Carters, 2018, Youtube. Just take a look yourself and let’s explore the Jay-Z and Beyoncé Louvre video together:ġ. Have you ever seen the crowd goin’ apeshit? I can’t believe we made it (This a different angle) This is what we’re thankful for (This is what we thank, thank) I can’t believe we made it (This is what we made, made) All these ingredients match perfectly with the lyrics of the song.
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You can see a little bit of sacrifice and drama too, but that seems to be a usual part of every road to success. Most of the masterpieces you will see in the Jay-Z and Beyoncé Louvre video are about power, money and victory. And guess what – in this article we have ALL of the Louvre masterpieces which you can spot in APES**t explained.īeyoncé and Jay-Z released their first joint album in 2018, the surprise nine-track record Everything Is Love and a music video for its debut single APES**t. I don’t have to say that the video features a ton of artworks. There are shots of them standing in front of the Mona Lisa wearing pink and mint suits as well as shots of dancers in tights and crop tops. Given free reign of the Louvre, you’d hope the Carters would have had more adventurous taste.The famous music video shows Jay-Z and Beyoncé at the Louvre Museum in Paris. How much more compelling and challenging would it have been to see shots of Beyoncé and Jay-Z in the Pavillon des Sessions, where the Louvre lumps together artifacts from Africa, Asia, the Americas, and Oceania? Or amid the Assyrian reliefs in its Department of Near Eastern Antiquities at a time when the Assyrian artistic heritage continues to be threatened in Iraq and Syria? It’s indisputably striking (and amazing) to see Beyoncé at the center of a line of dancers moving in perfect synchronicity beneath David’s “Coronation of Napoleon,” but it also seems like a pretty obvious pick. Rather than familiar examples of European painting and Greco-Roman statuary, why not pose more difficult questions about what’s in the coffers of European museums? The shots of Benoist’s “Portrait of a Black Woman” and those in which the couple flanks the Great Sphinx of Tanis begin to hint at such issues, but more could have done in this vein. Beyoncé and Jay-Z in front of the Great Sphinx of Tanisīut the video also represents something of a missed opportunity.